Building a new economy for Stokes Croft – Hamilton House Blog

Original Blog by Coexist CIC
As part of our ongoing process of consultation with our local community about the future of Hamilton House and the future of Stokes Croft, we spoke to PRSC about urban change, community land trusts and building alternative economic systems.

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Maker of the Month: Stokes Croft China Bristol 24/7 March 2017

Stokes Croft China is a collective of artists who decorate fine English bone china. As part of its commitment to creating sustainable, local industry, the People’s Republic of Stokes Croft (PRSC) launched the Stokes Croft China manufactory back in 2009.

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Child Sex Abuse -114 Missing Files – Whiteflowers Campaign

 
This video is made by survivors, is a reminder that the British government has still not answered who covered up for prominent government members accused of child abuse and brought them to justice. 

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Resiste: Works of the Assembly of Revolutionary Artists of Oaxaco, Mexico

The Bearpit Outdoor Gallery, Stokes Croft, Bristol hosts its first major international exhibition, “Resiste” commencing Saturday 15th October.
For the last 10 years ASARO have created political woodcut and lino print street art as part of their local protests, and in solidarity with international struggle.

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Nelson Mandela Tribute Mural

FLX and Dones at work on the Nelson Mandela Tribute Mural on the PRSC Outdoor Gallery wall. The mural can be viewed here until end of March 2014.

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George Harding Solo Show at PRSC Selling Gallery

PRSC invites you to the opening of OBJECT; an exhibition of George Harding’s paintings that explore his interest in the humanizing of objects.

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CK One: Mural Now showing at PRSC Outdoor Gallery by Sepr Marks his untimely death.

New year saw the painting of a mural by Sepr on the Jamaica Street Outdoor Gallery wall in commemoration of the life of CKone.

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Bear Pit Gallery Opens

On the night of October 14th, PRSC put up 20 panels in the subways of the Bear Pit. The materials were funded by Destination Bristol, who, to their credit, had no control of the content of the work, which was decided by local artists working to the loosest of briefs.

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